Motherhood in Regency England

Featured Image: Angelica Koffman, Countess A. S. Protasova and Her Nieces, 1788. Oil on canvas, 123 x 159cm.

Isabelle M.

“The business of her life was to get her daughters married; its solace was visiting and news.” 

(Austen pp. 3)

Introduction

For women living in 18-Century Regency England, there were very few things they were permitted to do. One of which being motherhood. Rachel Dodge states in an article on her website, “…the majority of Austen’s mothers can be broken down into three general categories: The Spectator, the Matchmaker, and the Manager” (Dodge 1). She identifies Mrs. Bennet as a “Matchmaker” and Lady Catherine de Bourgh as a “Manager”. Both women exhibit very different styles of parenting yielding very different results. Lady Catherine is respected and feared whereas Mrs. Bennet is viewed as not very bright and obsessed with the lives and futures of her daughters. 

Joshua Reynolds, Mrs. Susanna Hoare and Child, 1763-1764. Oil on canvas, 132 x 102cm.
Gisborne, Thomas. An Enquiry into the Duties of the Female Sex. https://www.bl.uk/collection-items/conduct-book-for-women

The Role of the Mother

Thomas Gisborne, a highly respected evangelical Anglican minister, wrote the famous religious conduct manual, An Enquiry into the Duties of the Female Sex to better inform the women of his parish of the expectations of single and married women as well as mothers. In Chapter XIV, he states clearly that the primary role of the mother is to nurse her children unless it places her own health at risk. He also describes the education and rearing of girls to be the mother’s job until they are old enough to be sent to a boarding school. Boys, however, are to be mainly influenced by their fathers or their mothers under their father’s supervision or instruction. He describes the father and husband as having a superior intellect compared to his wife and she could benefit greatly from his advice and opinion. He also encourages mothers to form personal relationships with their children in order to create an atmosphere in which they feel comfortable to confide in their mothers. This allows the mother to better understand her child and how best to improve their current state.

Thomas Gainsborough, Self-Portrait With His Wife and Daughter, 1748.

The Mother as a Non-biological Caregiver

According to Marilyn Francus, an english professor at West Virginia University, it is the mother’s duty to raise their daughters “properly” in order to successfully marry them off. She says in her article “The Monstrous Mothers of Mansfield Park”, “Motherhood, in Austen’s time as in ours, was not limited to a biological relationship. Any older woman who nurtured a child– including wet nurses, nannies, governesses, stepmothers, and aunts– could function as a mother” (Francus). Francus also speaks of mothers of the middle and upper classes saying they “…often delegated mothering to others; such help was commonplace and socially acceptable”. In her book, Monstrous Motherhood: 18th-Century Culture and the Ideology of Domesticity, speaks of the influence of conduct manuals among other societal factors leading to the wide belief that domesticity is “an appropriate revenue for the fulfillment of a woman’s duties to God, society, and herself” (Francus 1). She draws attention to the two biggest career opportunities to women of the eighteenth century, wife and mother. As a wife and a mother a woman would be expected to care for her children, supervise the servants, or if she had daughters who were considered “out”, like Mrs. Bennet in Pride and Prejudice, she would be responsible for their courtship and marriages.

Marguerite Gerard, Motherhood, 1805. Oil on canvas.

Forms of Motherhood

Mrs. Bennet can be viewed as an affectionate mother in her care for her girls. She wants what she was conditioned to believe is best for them, which is to marry them off to men with their own fortune to be able to support her family. However, this approach is not found in every home in the 18th-century, nor is it evident in all of Austen’s novels. Genevieve Brassard writes in her academic journal article, “Austen’s Critique of Domesticity and Motherhood in Lady Susan”, “Lady Susan’s rejection of affectionate motherhood stems from her irrepressible sexuality, her desire for independence, and her resistance to domesticity and marriage throughout the novel” (Brassard). Brassard expands on the topic of Lady Susan explaining, “Austen applauds her heroine’s pursuit of freedom and rewards her maternal indifference”. This new approach to motherhood that Austen chooses to shine light upon defies the expectation of women to birth children and serve as primary caregivers. Not every woman wanted to have a child, but if she was married she was expected to follow her husband’s wishes and provide a male heir. 

Benjamin West, Mrs. Benjamin West and Her Son Raphael, 1767. Oil on canvas.

Motherhood and Its Relationship to the Greater Good

The greater good can be defined as the majority of society. To contribute towards the greater good one must put the benefit of society over benefit of self. Mothers during the 18th-century were expected to participate by raising upstanding members of society who will benefit the community such as marrying to keep the wealth either in the family or contribute wealth to the family, and to be a benevolent keeper of all those in his or her charge.

Works Cited 

Austen, Jane. Pride and Prejudice. Oxford University Press, 2008.

Brassard, Geneviève. “‘The Sacred Impulse of Maternal Devotion’: Austen’s Critique of Domesticity and Motherhood in Lady Susan.” Women’s Studies: An Interdisciplinary Journal, vol. 34, no. 1, Jan. 2005, pp. 27–48. http://search.ebscohost.com/login.aspxdirect=true&db=mzh&AN=2005025340&login.asp&sie=ehost-live&scope=site.

Dodge , Rachel. “A Little Motherly Advice from Jane Austen’s Mothers by Rachel Dodge .” Jane Austen’s World, 13 May 2018,

janeaustensworld.wordpress.com/tag/jane-austen-mothers/.

Francus, Marilyn. “The Monstrous Mothers of Mansfield Park.” Persuasions: The Jane Austen Journal On-Line, vol. 35, no. 1, 2014.

search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2015580424&login.asp&sie=ehost-live&scope=site.

Francus, Marilyn. Monstrous Motherhood: Eighteenth-Century Culture and the Ideology of Domesticity. Johns Hopkins University Press, 2013.

Gainsborough, Thomas. Self-Portrait with His Wife and Daughter, 1748.

Gerard, Marguerite. Motherhood, 1805. Oil on canvas.

Gisborne, Thomas. An Enquiry into the Duties of the Female Sex. Printed by A. Strahan for T. Cadell Jun. and W. Davies, London, 1798. 

Koffman, Angelica. Countess A. S. Protasova and Her Nieces, 1788. Oil on canvas, 123 x 159cm

West, Benjamin. Mrs. Benjamin West and Her Son Raphael, 1767. Oil on canvas.

Reynolds, Joshua. Mrs. Susanna Hoare and Child, 1763-1764. Oil on canvas, 132 x 102cm.


15 thoughts on “Motherhood in Regency England

  1. Great website! Maybe pick a different header picture that is more clear. Other than that it looks great.

    Like

  2. I think it would be a little less confusing if you cited the image somewhere else instead of citing it under the header but before the quote, because it seems out of place. Your works cited looks off spacing and indention wise and also the hyperlinks don’t seem to be working. I like your use of images especially the paintings it adds uniqueness and depth.

    Liked by 1 person

  3. How does motherhood affect the greater good?

    Like

  4. I really like how you used the paintings and how they really relate to your topic and give it context. Fix works cited page and hyperlink sources. less essay format but overall seems very good

    Like

  5. I love the information you provided on this site! I think just add some headers and some color! Check your works cited and hyperlinks!

    Like

  6. Information in this is great, but I’d try to figure out a way to make the header photo full and not have the mother be cut off.

    Like

  7. Overall, your page is good! I know you have to look into some new images, but one other thing you could possibly check out and see if you would be interested in adding is this video from the 2005 adaptation.
    here is the link: https://www.youtube.com/watch?v=VSMKvHRbHC8

    Liked by 1 person

  8. Really good picture placements! Remember to hyperlink and add headers, if possible.

    Like

  9. I really like your topic (I think I am even going to hyperlink yours on my webpage). Maybe try to tie it all together in the end and find way to connect it to the greater good.

    Like

  10. Your page looks really good. Your generous use of pictures broke the text up well and your topic was really interesting as it was a pivotal theme in the book. Really good job!

    Like

  11. I think what you have is great! I’d consider changing the first picture to something less grainy, but beyond that, I love what you have here!

    Like

  12. I like what you have! I really like how the pictures are similar in color and style

    Like

  13. Your paintings are stunning and I think to represent your topic very well. They break up the text nicely. Good work!

    Like

  14. The placement for the cited image at the top is a bit misleading. How does this relate to the greater good?

    Like

  15. 18-Century and Regency are different—the Regency was early 19th C

    You hyperlink to peers!

    Make sure you include parenthetical citations to all source material

    Proofread

    Great art!

    I don’t buy that Mrs. Bennet is simply an “affectionate” mother. She leaves A LOT to be desired, doesn’t she?

    Like

Leave a comment

Design a site like this with WordPress.com
Get started
search previous next tag category expand menu location phone mail time cart zoom edit close